La gravure du poinçon typographique aujourd’hui, son utilité, son avenir, ses développements, à l’Imprimerie nationale ainsi que les pratiques possibles dans le cadre privé de l’exercice des métiers de la typographie. Les possibilités d’utilisation ou de recherche des différentes pièces qui composent ses collections. Peut-on aujourd’hui espérer sauver ce patrimoine et les savoir-faire qui s’y rattachent ?
Presentation of the Conservatory of Punches, its content and its activities. Punchcutting today, its usefulness, its future, its developments, for the “Imprimerie nationale” as well as in the framework of the trade of typography. Practical and research possibilities of the different elements that compose its collections. What can be done today in hopes of saving this patrimony and the knowledge that resides there.
@article{CG_2006___46-47_59_0, author = {Paput, Christian}, title = {Le patrimoine typographique fran\c{c}ais}, journal = {Cahiers GUTenberg}, pages = {59--68}, publisher = {Association GUTenberg}, number = {46-47}, year = {2006}, language = {fr}, url = {http://www.numdam.org/item/CG_2006___46-47_59_0/} }
Paput, Christian. Le patrimoine typographique français. Cahiers GUTenberg, no. 46-47 (2006), pp. 59-68. http://www.numdam.org/item/CG_2006___46-47_59_0/